Detail 01
Linkwitz-Riley, 24 dB/octave
Steep split with bands staying in phase where they meet, so no dip or bump at the crossover point.

Independent shopping perspective
Rack crossover that splits a signal into 2, 3, or 4 bands before the power amps. For anyone running a passive multi-amp PA or bi-amped setup.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Steep split with bands staying in phase where they meet, so no dip or bump at the crossover point.
Detail 02
Multiplies the frequency dial by ten, so one knob covers 45–960 Hz or 450 Hz–9.6 kHz.
Detail 03
Sums the lows to mono so one subwoofer amp handles both channels while mids and highs stay stereo.
Detail 04
Cuts subsonic rumble and stage thump below the useful range, saving amp headroom and cone excursion.
Detail 05
Flips polarity on any single band, which fixes cancellation when a driver or cabinet is wired backwards.
Detail 06
Balanced runs to amps resist hum over distance, but you may need TRS-to-XLR cables for many amps.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Generally no. Powered speakers already crossover internally. This is for passive cabinets driven by separate power amps, one amp channel per frequency band.
Connections are 1/4 inch TRS, balanced. If your amps take XLR, use TRS-to-XLR cables.
One. It is 1.75 inches tall and a full 19 inches wide, with 6.9 inches of depth behind the panel.
It uses both channels on one mono signal to create four bands — for example sub, low-mid, mid, and high, each to its own amp.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.