Detail 01
XLR male to XLR female
Standard mic wiring. Female end goes on the mic, male end into the preamp, console or interface.

Independent shopping perspective
A 25-foot balanced XLR mic cable with swivel connectors. Standard stage and studio length for mics on a stand.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Standard mic wiring. Female end goes on the mic, male end into the preamp, console or interface.
Detail 02
Two signal conductors cancel picked-up noise, so long runs stay quiet near lighting and power.
Detail 03
Enough to reach a stand across a stage. Long enough that you should learn a proper over-under coil.
Detail 04
The shell rotates, so the cable relieves twist instead of transferring it to the solder joints.
Detail 05
Disappears on a dark stage. Add your own tape or tags if you need to tell cables apart.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Guitars use a 1/4-inch unbalanced cable. This is XLR, for microphones and other balanced gear.
Yes. A standard balanced XLR cable carries 48V from your interface or console to the mic without any extra hardware.
It's generous but usable. The slack lets you move a stand around a room. For a fixed desk setup, a shorter cable is tidier.
The female end plugs into the mic's male pins. The male end goes into your preamp, mixer or audio interface input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.