Detail 01
30Hz–15kHz frequency response
Reaches well below where most mics stop, so the sub-thud of the kick is captured, not rebuilt with EQ.

Independent shopping perspective
A dynamic kick drum mic built for the inside of a bass drum. For drummers and engineers who want low end and attack without heavy EQ.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Reaches well below where most mics stop, so the sub-thud of the kick is captured, not rebuilt with EQ.
Detail 02
Handles the pressure inside a bass drum without distorting. No phantom power needed.
Detail 03
Rejects snare, hats and stage wash from the sides, keeping the kick channel clean in a mix.
Detail 04
Very low mass diaphragm reacts fast, so beater attack stays sharp instead of smearing.
Detail 05
Low output for a dynamic. Give it a preamp with real gain, especially on quiet passages.
Detail 06
Survives knocks inside a drum and stays visually invisible through the port hole on camera.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's a dynamic mic, so it works off a plain preamp channel. Leaving phantom on won't help it, and it isn't required.
Through the port hole. Closer to the beater brings out attack, further back inside brings out low end and shell resonance.
Some, but the cardioid pattern rejects over 20dB off-axis, so snare and hat bleed stays low compared with an open pattern.
It's voiced for kick — deep low end reach and high SPL handling. Those traits suit other large, loud low-frequency sources, but it isn't a general-purpose mic.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.