Detail 01
100–16,000 Hz frequency response
Tuned for intelligible speech. It trims low rumble and high air, so it is not a full-range recording mic.

Independent shopping perspective
An 18.9-inch gooseneck condenser for permanent install on lecterns, podiums and conference tables. Buy it for fixed speech pickup, not for recording.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Tuned for intelligible speech. It trims low rumble and high air, so it is not a full-range recording mic.
Detail 02
Picks up the person in front and rejects the sides and rear, which raises gain before feedback in a live room.
Detail 03
A steep cut for podium thumps, HVAC rumble and stage vibration. Flat position keeps the low end intact.
Detail 04
Needs a mixer or interface supplying phantom. It will not work on a passive input or a plain XLR splitter.
Detail 05
Handles loud talkers and close speech without the capsule distorting.
Detail 06
The XLR is built into the base, so it drops into a standard quick-mount and runs straight to a mixer input.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is not the right tool. The response tops out at 16 kHz and it is built for fixed speech pickup at a podium, not full-range vocal recording.
No. Only the AT8153 two-stage foam windscreen ships with it. The quick-mount hardware and cable are separate.
Yes, 11–52V DC drawing about 2 mA. Any mixer or interface with phantom will run it.
It cuts everything below 80 Hz at 18 dB per octave to remove podium bumps, air handling noise and floor rumble.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.