Detail 01
Line + gradient pattern
Narrow pickup down the barrel. Point it precisely — off-axis sources drop away, but so does a subject who drifts.

Independent shopping perspective
Short shotgun condenser for camera and boom work. Buy it if you need to reject room and crowd noise while recording dialogue or location sound.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Narrow pickup down the barrel. Point it precisely — off-axis sources drop away, but so does a subject who drifts.
Detail 02
Low end rolls off early, which trims traffic rumble and handling noise while leaving speech intelligibility intact.
Detail 03
Runs on low-voltage phantom, so many field recorders and camera inputs power it without a full 48V supply.
Detail 04
Light and short enough for a boom pole or camera shoe without unbalancing a small rig.
Detail 05
Fine for voices and ambience. Close-miking a snare or guitar cabinet will push it past its limit.
Detail 06
Standard low-impedance balanced output. Long cable runs to the recorder stay quiet.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Only through an XLR interface or recorder that supplies phantom power between 11 and 52V. The camera's 3.5mm mic input alone cannot power it.
Yes. The supplied clamp and case do not include wind protection, and a shotgun tube is very sensitive to moving air. Add foam for light breeze, fur for real wind.
Closer is better for a full sound. A short shotgun rejects the sides well, but distance still brings in room reflections. Keep it just outside the frame.
It works, but the narrow pattern punishes movement and the response starts at 90 Hz, so voices sound thinner than on a large-diaphragm cardioid mic.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.