Korena
Product detailSKU #1273887989106

Audio-TechnicaAT875R Short Shotgun Microphone

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Audio-Technica AT875R Short Shotgun Microphone

Independent shopping perspective

The Korena take

Short shotgun condenser for camera and boom work. Buy it if you need to reject room and crowd noise while recording dialogue or location sound.

Audio-Technica AT875R Short Shotgun Microphone product detail
Product studyAudio-Technica AT875R Short Shotgun Microphone

Strong match

Who this is for

  • Boom-mounted dialogue on video shoots and interviews
  • Camera-top sound where the subject is a few feet away
  • Isolating one voice in a noisy or reflective room

Consider the trade-offs

When to look elsewhere

  • Studio vocals — a large-diaphragm cardioid sounds fuller
  • Loud sources close up; 127 dB SPL is moderate headroom
  • Anyone without phantom power on their recorder or camera

What matters in use

The specifications, translated

Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01

Line + gradient pattern

Narrow pickup down the barrel. Point it precisely — off-axis sources drop away, but so does a subject who drifts.

Detail 02

90 Hz–20 kHz response

Low end rolls off early, which trims traffic rumble and handling noise while leaving speech intelligibility intact.

Detail 03

11–52V phantom power

Runs on low-voltage phantom, so many field recorders and camera inputs power it without a full 48V supply.

Detail 04

2.8 oz, 6.89 inches long

Light and short enough for a boom pole or camera shoe without unbalancing a small rig.

Detail 05

127 dB max SPL

Fine for voices and ambience. Close-miking a snare or guitar cabinet will push it past its limit.

Detail 06

100 ohm output, XLR

Standard low-impedance balanced output. Long cable runs to the recorder stay quiet.

Final check

Know before you order

  1. 01Needs phantom power — a camera with only plug-in power will not run it
  2. 02Comes with a stand clamp, thread adapter and carrying case; no shockmount
  3. 03Handling and boom noise travels; budget for a shockmount and windscreen outdoors

Product questions

Before you decide

Straight answers to the questions shoppers most often ask about this product.

01Does this work on a DSLR?

Only through an XLR interface or recorder that supplies phantom power between 11 and 52V. The camera's 3.5mm mic input alone cannot power it.

02Do I need a windscreen for outdoor use?

Yes. The supplied clamp and case do not include wind protection, and a shotgun tube is very sensitive to moving air. Add foam for light breeze, fur for real wind.

03How close does the mic need to be?

Closer is better for a full sound. A short shotgun rejects the sides well, but distance still brings in room reflections. Keep it just outside the frame.

04Can I use it for singing or podcasting?

It works, but the narrow pattern punishes movement and the response starts at 90 Hz, so voices sound thinner than on a large-diaphragm cardioid mic.

Reference

Full specifications

The complete catalog record, organized around the decisions musicians make when comparing gear.

3 detailsSound
Polar Pattern
Line + gradient
Impedance
100 ohms
Frequency Response
90-20,000 Hz
1 detailsPickups & controls
Open Circuit Sensitivity
”30 dB (12.5 mV) re 1V at 1 Pa
1 detailsBody & build
Color
Black
3 detailsConnections & power
Output Connector
Integral 3-pin XLRM-type
Phantom Power Requirements
11-52V DC, 2 mA typical
Maximum Input Sound Level
127 dB SPL, 1 kHz at 1% T.H.D.
2 detailsSize & weight
Weight Microphone
2.8 oz. (80 g)
Dimensions
6.89 inch (175.0 mm) long, .83 inch (21 mm) diameter
1 detailsIn the box
Audio Technica Case Style
SG4
4 detailsOther
Signal to Noise Ratio
74 db, 1 kHz at 1 Pa
Accessories Furnished
AT8405a stand clamp for 5/8 inch-27 threaded stands; 5/8 inch-27 to 3/8 inch-16 threaded adapter; protective carrying case
Dynamic Range Typical
107 dB, 1 kHz at Max SPL
Element
Fixed-charge back plate, permanently polarized condenser

Complete your setup

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