Detail 01
3-pin connector
Matches the 3-pin DMX in and out on most entry-level fixtures. Anything with 5-pin sockets needs an adapter.

Independent shopping perspective
A 50-foot 3-pin DMX cable for running control signal between lighting fixtures. Buy it if your run outgrew the short cables that came in the box.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Matches the 3-pin DMX in and out on most entry-level fixtures. Anything with 5-pin sockets needs an adapter.
Detail 02
Covers front-of-house to stage on most small gigs. Coil the slack in a figure-eight rather than stretching it tight.
Detail 03
Built to carry lighting control over distance. Its impedance keeps the signal clean on runs where mic cable gets flaky.
Detail 04
Blends into dark floors and truss, which also means it is easy to miss during a low-light teardown.
Detail 05
Cheaper than two shorter cables plus a coupler, and one continuous run means one less connection to fail.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The connector will fit an XLR input, but this is data cable. Keep it for DMX and use mic cable for microphones.
Not directly. You need a 3-pin to 5-pin adapter, which is sold separately.
It works, but you will be coiling slack every night. If the controller sits within a few feet of the fixtures, a shorter cable is tidier.
A DMX chain handles up to 32 devices. Total cable length matters more than the count — terminate the last fixture on long runs.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.