Detail 01
110-ohm impedance
Matched to what DMX expects. Audio cable isn't impedance-matched for data and causes flicker and dropouts on long runs.

Independent shopping perspective
A 100-foot 3-pin DMX line, 110-ohm and double-shielded. For running lighting control from the booth to a rig across a room or stage.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Matched to what DMX expects. Audio cable isn't impedance-matched for data and causes flicker and dropouts on long runs.
Detail 02
Stranded conductors survive repeated coiling and uncoiling. Solid-core wire work-hardens and eventually breaks at the connector.
Detail 03
Two shield layers against dimmer packs and LED drivers, which are the usual sources of noise on a lighting run.
Detail 04
Tough and abrasion-resistant for floor runs, but not plenum-rated, so it stays out of air-handling ceiling voids.
Detail 05
Don't fold it tight around corners or truss legs. Sharp kinks deform the geometry that keeps the impedance correct.
Detail 06
About three pounds for this length and slim enough to sit under standard cable ramps without a bulge.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The connectors look identical, but this is 110-ohm data cable. Use it for DMX and keep a real mic cable for audio.
Not on its own. Impedance-matched conductors and dual shielding are exactly what keeps a run this long stable.
The cable handles -30 to 75 degrees C, so cold and heat near fixtures are fine. Keep the connector ends dry and off wet ground.
Yes, any fixture with a standard 3-pin DMX in and out. Daisy-chain from one fixture to the next as usual.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.