Detail 01
20 Hz to 20 kHz frequency response
Full-range and flat, so what you hear in the room is close to what lands on the track.

Independent shopping perspective
Cardioid condenser built for acoustic instruments, cymbals and drum overheads. Flat-response workhorse for studio and live engineers who want accuracy over color.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Full-range and flat, so what you hear in the room is close to what lands on the track.
Detail 02
Survives cymbals, snare and loud acoustic sources without the capsule distorting.
Detail 03
Rejects sound from behind, which keeps stage bleed and room reflections down in live use.
Detail 04
Let you engage a low-frequency roll-off and pad to fight rumble or handle very loud sources.
Detail 05
Your mixer or interface must supply 48 V; it won't pass audio on a passive input.
Detail 06
Slim enough to fit under a hi-hat or between piano strings where a large-diaphragm mic won't.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It's a condenser and requires 48 V phantom from your mixer, preamp or audio interface. Without it, you'll get no output.
No. A carrying case and a mic clip are included, but you supply the XLR cable and the stand.
You can, and it will be accurate rather than flattering. It's designed for acoustic instruments, cymbals and overheads; it adds no vocal-friendly color.
Yes. Max SPL is 146 dB, which covers close-miked cymbals and snare, and the onboard pad gives extra headroom on the hottest sources.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.