Detail 01
Omnidirectional pattern
Picks up equally from all sides. No proximity effect, so close placement stays tonally flat, but bleed and feedback risk rise.

Independent shopping perspective
Omnidirectional condenser for instrument miking. For engineers who want a natural, low-coloration capture and can work with an omni pattern.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Picks up equally from all sides. No proximity effect, so close placement stays tonally flat, but bleed and feedback risk rise.
Detail 02
Audible hiss on very quiet sources. Fine for drums and loud instruments, less ideal for whisper-level ambience.
Detail 03
Fairly low output. You will run more preamp gain than with a typical large-diaphragm condenser.
Detail 04
Full-range capture, so it reproduces low fundamentals and cymbal detail without a built-in tonal shape.
Detail 05
Small capsule fits tight placements; the low current draw is easy on multi-channel phantom supplies.
Detail 06
Drives long cable runs without high-end loss into standard mic preamp inputs.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It runs on 11-52V phantom and draws up to 2.4 mA. No phantom, no signal.
You can, but the omni pattern gives no proximity bass lift and picks up the room equally. It suits instruments better.
Omni patterns reject nothing, so feedback margin is lower than a cardioid. Keep it away from wedges and mains.
Self-noise is 23.5 dB SPL-A, so very soft sources will sit close to the mic's own hiss. It favors moderate to loud instruments.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.