Korena
Product detailSKU #1288970926915

ShureBETA 181/O Instrument Mic

Shure logo
Shure BETA 181/O Instrument Mic
1/3

Independent shopping perspective

The Korena take

Omnidirectional condenser for instrument miking. For engineers who want a natural, low-coloration capture and can work with an omni pattern.

Shure BETA 181/O Instrument Mic product detail
Product studyShure BETA 181/O Instrument Mic
Shure BETA 181/O Instrument Mic alternate view
Alternate view

Strong match

Who this is for

  • Close-miking acoustic instruments where proximity effect ruins the low end
  • Drum overheads and room capture in a controlled space
  • Stage or studio work where a low-profile mic must stay out of sight

Consider the trade-offs

When to look elsewhere

  • Loud stages needing bleed rejection — omni hears everything
  • Anyone without phantom power on their preamp or interface
  • Vocalists wanting the bass lift of a cardioid up close

What matters in use

The specifications, translated

Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01

Omnidirectional pattern

Picks up equally from all sides. No proximity effect, so close placement stays tonally flat, but bleed and feedback risk rise.

Detail 02

Self-noise 23.5 dB SPL-A

Audible hiss on very quiet sources. Fine for drums and loud instruments, less ideal for whisper-level ambience.

Detail 03

-52 dBV/Pa sensitivity

Fairly low output. You will run more preamp gain than with a typical large-diaphragm condenser.

Detail 04

20 Hz to 20 kHz response

Full-range capture, so it reproduces low fundamentals and cymbal detail without a built-in tonal shape.

Detail 05

1.36 in capsule, 11-52V phantom at 2.4 mA

Small capsule fits tight placements; the low current draw is easy on multi-channel phantom supplies.

Detail 06

110 ohm output impedance

Drives long cable runs without high-end loss into standard mic preamp inputs.

Final check

Know before you order

  1. 01Requires 11-52V phantom power from your interface, preamp or console
  2. 02Omni pattern means treat the room first — it captures what is there
  3. 03Confirm your mounting and stand hardware works for the placement you have in mind

Product questions

Before you decide

Straight answers to the questions shoppers most often ask about this product.

01Does it need phantom power?

Yes. It runs on 11-52V phantom and draws up to 2.4 mA. No phantom, no signal.

02Can I use it for vocals?

You can, but the omni pattern gives no proximity bass lift and picks up the room equally. It suits instruments better.

03Will it feed back on stage?

Omni patterns reject nothing, so feedback margin is lower than a cardioid. Keep it away from wedges and mains.

04Is it good for quiet sources?

Self-noise is 23.5 dB SPL-A, so very soft sources will sit close to the mic's own hiss. It favors moderate to loud instruments.

Reference

Full specifications

The complete catalog record, organized around the decisions musicians make when comparing gear.

2 detailsSound
Polar Pattern
Omnidirectional
Frequency Response
20 to 20,000 Hz
1 detailsPickups & controls
Sensitivity Open Circuit Voltage 1 KHZ Typical
-52.0 dBV/Pa (2.6 mV)
2 detailsConnections & power
Power Requirements 11 52 V DC Phantom Power Iec 61938
2.4 mA, maximum
Output Impedance
110 Î
2 detailsSize & weight
Self Noise Equivalent SPL A Weighted Typical
23.5 dB SPL-A
Capsule Width
1.36 inch (34.54mm)
4 detailsOther
Cartridge Type
Electret Condenser
Common Mode Rejection 20 to 20 000 KHZ
±55 dB
Signal to Noise Ratio
70.5 dB
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3

Complete your setup

Worth comparing

More from Shure