Detail 01
20Hz–20kHz frequency response
Covers the full audible range, so it captures cymbal shimmer and low body without rolling off either end.

Independent shopping perspective
A small-diaphragm cardioid condenser for studio work. Best on acoustic sources where accuracy matters more than character.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Covers the full audible range, so it captures cymbal shimmer and low body without rolling off either end.
Detail 02
Hears mostly what's in front. Aim it at the source and turn the null toward what you want to reject.
Detail 03
Tracks fast transients accurately — pick attack, cymbal sticks, string noise — instead of smoothing them over.
Detail 04
Designed for stand mounting and controlled placement, not handheld use or stage abuse.
Detail 05
Overheads and stereo pairs need two. Budget accordingly if that's the plan.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No, it's a single microphone. Stereo overhead or Blumlein setups need two, ideally bought together.
Yes, 48V. Any modern interface or mixer with a phantom switch will run it.
You can, but small-diaphragm condensers tend to sound accurate rather than flattering. A large-diaphragm mic usually suits vocals better.
It'll capture the kit accurately, but a cardioid condenser on a loud stage picks up bleed and raises feedback risk.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.