Detail 01
20mm capsule, 4.8 inches long
Pencil format. Fits tight in drum overhead positions and on clamp mounts where a large-diaphragm mic won't.

Independent shopping perspective
A matched pair of small-diaphragm cardioid condensers for stereo acoustic, overheads and room work. For engineers who need accurate, quiet capture rather than character.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Pencil format. Fits tight in drum overhead positions and on clamp mounts where a large-diaphragm mic won't.
Detail 02
Rejects from behind. Fixed pattern, so no omni option for room ambience or flat low-end pickup.
Detail 03
Low enough that the mic disappears on quiet sources — fingerpicking, brushes, distant room mics.
Detail 04
Gentle slope. Tames proximity buildup and stage rumble without gutting body from a guitar.
Detail 05
Nothing acoustic will overload it. Safe on snare, close cymbals and loud brass.
Detail 06
Moderately hot output. Most interface preamps will drive it fine without a gain booster.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It ships as a factory stereo pair of KSM137 cardioid condensers, intended for stereo use rather than as two separately bought mics.
No. The KSM137 is fixed cardioid. The KSM141 is the version that adds a switchable omni pattern.
Yes. With the pad engaged the handling limit is far beyond anything a kit produces, and self-noise stays low when the pad is off for quieter passages.
Any interface with 48V phantom power on two inputs works. Output is reasonably hot, so no inline gain booster is needed for normal sources.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.