Detail 01
170 facing
The most closed tip in the S90 line. Less air moves through, so it feels more resistant and easier to control quietly.

Independent shopping perspective
Selmer Paris S90 soprano mouthpiece in the 170 facing — the most closed of the series. For classical players and students stepping off a stock mouthpiece.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The most closed tip in the S90 line. Less air moves through, so it feels more resistant and easier to control quietly.
Detail 02
Produces a focused, centered tone that sits inside an ensemble rather than cutting over one.
Detail 03
Bore is cut for a soprano neck. It will not fit any other saxophone, and soprano necks vary slightly between makers.
Detail 04
Closed facings pair better with harder reeds. Reed strength that felt right on an open mouthpiece will feel soft here.
Detail 05
Warmer and less bright than metal, and it can warp with heat. Keep it out of hot cars and direct sun.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Tip opening. The 170 is the most closed, the 190 the most open. Closed tips give more control and resistance; open tips give more volume and flexibility but take more air.
Classical. The focused chamber and closed tip favor blend, intonation, and quiet control. Jazz players generally want a more open tip and a different chamber for edge and volume.
Most players land on a 3 or 3.5 with the 170. Softer reeds tend to close off against the tight tip and sound stuffy.
No. This is cut for soprano saxophone necks only. Alto requires an alto mouthpiece — the bore and dimensions are entirely different.