Detail 01
180 facing
Tip opening on the close side. More resistance, tighter control at soft dynamics, less raw volume than an open facing.

Independent shopping perspective
Alto saxophone mouthpiece with a close 180 facing. Suited to players who want a focused, controlled sound in concert band and ensemble settings.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Tip opening on the close side. More resistance, tighter control at soft dynamics, less raw volume than an open facing.
Detail 02
The number is the facing. Higher numbers open the tip up and take softer reeds; lower numbers close it down.
Detail 03
Bore and shank are cut for an alto neck. It will not seat on a tenor or soprano.
Detail 04
Same maker as the horns, so the shank taper matches Selmer alto necks without shimming or cork sanding.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's the facing, which sets tip opening. 180 is toward the close end of the S90 range, so it plays with more resistance and more control than the wider facings.
Closer facings pair with stiffer reeds. If you're on a 2.5 with a stock mouthpiece, expect to land around 3 or 3.5 here. Buy a mixed strength box first.
It fits standard alto necks. Cork thickness varies by horn and by age, so it may go on tighter or looser than your current mouthpiece until the cork is adjusted.
No. The close facing pushes toward a focused, contained sound. For jazz volume and edge, look at a wider facing or a metal mouthpiece.