Detail 01
200 facing
A medium tip opening. Easier to control at soft volumes and less tiring over long rehearsals than wider tips.

Independent shopping perspective
A hard rubber tenor mouthpiece with a medium-open 200 tip, aimed at students and section players who want a controlled, centered sound.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
A medium tip opening. Easier to control at soft volumes and less tiring over long rehearsals than wider tips.
Detail 02
Selmer's classical-leaning line. Response is even across registers rather than weighted toward projection.
Detail 03
The shank fits tenor necks only. It will not seat on alto, soprano, or baritone.
Detail 04
Reed strength, ligature, and neck cork thickness all change how this plays. Budget for a fitting session.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Medium tips typically take a slightly harder reed than open tips. Most players land in the 2.5 to 3.5 range, but test a few — your embouchure and air support decide it.
It is built for tenor necks. Fit still depends on your neck cork thickness; a repair tech can sand or build up the cork so it seats at the right pitch.
It works in a jazz ensemble where blend matters. For a loud, edgy lead sound with lots of cut, a more open jazz-style tip is the usual choice.
Yes. A medium tip is forgiving on air and easier to control than a wide one, which is why it is a common first upgrade from a stock mouthpiece.