Detail 01
Fretless neck
Your finger placement sets the pitch. You get slides and vibrato, but every note is yours to land.

Independent shopping perspective
A fretless four-string at an entry price. For players who want to try fretless without committing real money, and for second-instrument use.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Your finger placement sets the pitch. You get slides and vibrato, but every note is yours to land.
Detail 02
Thick output that supports sustained fretless notes well, at the cost of some upper-end string definition.
Detail 03
Rosewood is relatively soft, so roundwound strings will groove the board over time. Flatwounds slow that down.
Detail 04
Light and tonally neutral, so the note character comes mostly from the fingerboard and your right hand.
Detail 05
Stiff and stable. On a fretless, neck straightness directly affects how cleanly notes speak.
Detail 06
Standard EADG tuning and standard bass strings, so nothing about strings or amps is special-order.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Position markers and lining vary by model and aren't confirmed here. If lines are essential to you, check the fingerboard photos before ordering.
It's possible but harder. You develop pitch by ear with no frets to correct you. Most players start fretted and add fretless later.
Flatwounds are standard for fretless — smoother feel and far less wear on the rosewood board. Roundwounds give more growl but cut grooves.
Yes, the LX200B in the same Metallic Blue finish. Same body, neck woods and pickup layout, with frets.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.