Detail 01
Fretless neck
Your finger stops the string directly, so pitch is entirely on you. Vibrato and slides become continuous rather than stepped.

Independent shopping perspective
Fretless four-string, basswood body and rosewood board, with two humbuckers. For players who already know the neck and want sliding, vocal lines.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Your finger stops the string directly, so pitch is entirely on you. Vibrato and slides become continuous rather than stepped.
Detail 02
Soft, porous wood in direct contact with the strings. It marks over time and needs occasional oiling.
Detail 03
Fat and quiet, which suits the mwah tone fretless produces. Less top-end bite than single coils.
Detail 04
Light and tonally neutral, so the fretless character comes through rather than being coloured by the wood.
Detail 05
Stiff and stable, which matters more here — relief changes are harder to play around without frets.
Detail 06
No left-handed version, and a fretless cannot be flipped and restrung without the board wear ending up wrong.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
It is harder. Without frets, every note depends on finger placement and your ear. Most players learn on a fretted bass first, then move across.
Flatwounds are the safer choice. They are smoother against the soft rosewood board and produce less wear than roundwounds, which are abrasive.
The vocal, sliding growl a fretless makes as the string sits on the bare board. It comes out most on sustained notes with low action.
Yes. It takes a standard cable into any bass amp or interface, exactly like a fretted electric bass.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.