Detail 01
Supercardioid pattern
Narrow front pickup with a small rear lobe. Aim carefully — off-axis sources drop away, but so does the subject if you drift.

Independent shopping perspective
A shotgun condenser for film, video and location dialogue. Runs on phantom power or a single AA, so it works off a camera or a mixer.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Narrow front pickup with a small rear lobe. Aim carefully — off-axis sources drop away, but so does the subject if you drift.
Detail 02
The interference tube tightens directionality at higher frequencies. This is what separates a shotgun from a regular condenser.
Detail 03
Works on a mixer, interface or recorder with phantom, and on cameras or recorders without it.
Detail 04
Quiet enough for dialogue at normal levels. Very quiet ambience or distant sources will show some hiss.
Detail 05
Cuts handling rumble, air conditioning and traffic at the mic instead of fixing it in the edit.
Detail 06
Handles loud sources without distorting — shouting, gunfire blanks, amplified sound on set.
Detail 07
Long enough to need a proper shotgun mount or boom, light enough for extended handheld boom work.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, if the camera takes XLR or you use an adapter. Use the AA battery mode when the camera can't supply 48V phantom power.
It can work, but a shotgun rewards precise aim and a treated room. For seated podcast use a dynamic or large-diaphragm condenser is more forgiving.
Plan on sourcing a shotgun mount or clip separately, along with an XLR cable and wind protection for outdoor work.
Battery mode is there for gear without phantom power. Carry spares and switch to phantom whenever your recorder or mixer supplies it.
Reference
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