Detail 01
Supercardioid pattern
Narrow front pickup with a small rear lobe. Aim it precisely — a foot off-axis and dialogue goes thin.

Independent shopping perspective
Supercardioid shotgun condenser for film, TV and location dialogue. Tight pickup and very low self-noise. Needs 48V phantom, with no battery option.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Narrow front pickup with a small rear lobe. Aim it precisely — a foot off-axis and dialogue goes thin.
Detail 02
The mic's own hiss sits below the room tone of most locations, so quiet dialogue stays clean.
Detail 03
Your recorder or mixer must supply it. No internal battery, so a dead preamp means a dead mic.
Detail 04
Low enough to drive long boom and snake runs without losing high end along the cable.
Detail 05
Takes shouted dialogue and close work without breaking up; loudness is rarely what limits this mic.
Detail 06
Ten inches of mic. It needs a boom or a mount that clears the camera body and lens hood.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, 48V, and there's no battery alternative. Any recorder, mixer or interface you use has to supply phantom on that channel.
Only if the camera puts out 48V phantom on an XLR input. Most don't — you'll want a field recorder or an XLR adapter with phantom.
A shotgun doesn't reach farther, it just hears less from the sides. Keep it as close as framing allows — usually just above the head, out of frame.
That's the supercardioid pattern. Off-axis sound loses high end first, so the mic has to track the person as they move.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.