Detail 01
Needs +24V or +48V phantom power
No battery option. Your recorder, mixer, or interface has to supply phantom, or the mic passes nothing.

Independent shopping perspective
A short shotgun condenser for boom-mounted dialogue and field recording. For anyone shooting video with a phantom-powered recorder, mixer, or interface.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
No battery option. Your recorder, mixer, or interface has to supply phantom, or the mic passes nothing.
Detail 02
Tight front pickup with strong side rejection, but a rear lobe. Aim it, and watch what sits behind you.
Detail 03
Light on the end of a pole, so a long take won't wreck the operator's wrists.
Detail 04
Quiet enough for close-miked dialogue. Distant or very soft sources start to reveal hiss.
Detail 05
Handles drums, engines, and crowds up close without the capsule breaking up.
Detail 06
Balanced and low impedance, so long cable runs back to the mixer stay clean and quiet.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Only if the camera has an XLR input supplying +24V or +48V phantom power. Otherwise you need a field recorder, mixer, or an XLR adapter with phantom.
No. It's phantom-only, +24V or +48V. Power has to come down the XLR cable from your recorder or mixer.
One year, extending free to ten years once you register the microphone with RODE.
Yes, but a shotgun depends on off-axis rejection that room reflections undermine. Get in close and avoid hard, bare rooms for clean dialogue.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.