Detail 01
Cardioid only
One pattern, no switch. You place the mic to reject the room rather than dial it in.

Independent shopping perspective
Large-diaphragm cardioid condenser built for vocals and acoustic sources in a treated room. For studios that already have clean preamps and monitoring.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
One pattern, no switch. You place the mic to reject the room rather than dial it in.
Detail 02
Quiet enough that soft sources and whispered vocals stay above the mic's own hiss.
Detail 03
Hot output. Preamps run at lower gain, which keeps preamp noise out of the recording.
Detail 04
Proximity effect applies. Move in close for bass lift, back off to thin it out.
Detail 05
Needs a phantom-capable interface or preamp. Low draw, so it works fine on multi-channel units.
Detail 06
Heavy and wide. A lightweight boom arm or thin stand will droop under it.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It runs on 48V ±4V phantom, drawing 3.2 mA. Any interface or preamp with a phantom switch will power it.
No. It is cardioid only, with no pattern switch. Rejection comes from mic placement, not a control.
Standard XLR. The mic takes an XLR 3F matching connector, so a normal balanced mic cable works.
Yes. Self noise is 12 dB-A with 13 mV/Pa sensitivity, so soft vocals and fingerpicked acoustic stay well above the noise floor.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.