Detail 01
Supercardioid pattern
Tighter than cardioid with a rear lobe. Place wedges off to the sides, not directly behind.

Independent shopping perspective
Handheld supercardioid condenser for live vocals. For singers who want studio detail on stage and have phantom power at the desk.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Tighter than cardioid with a rear lobe. Place wedges off to the sides, not directly behind.
Detail 02
Huge headroom for a vocal mic. Belted vocals inches from the grille will not overload it.
Detail 03
Plosives are handled inside the grille. No external pop screen needed for handheld work.
Detail 04
Built-in shockmount cuts handling rumble, so grip changes and cable knocks stay out of the mix.
Detail 05
Drives long stage cable runs without losing high end or picking up extra noise.
Detail 06
Survives stage life. The multi-layer gauze also blocks breath moisture from the capsule.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It requires +48V phantom power over the XLR connection. Most live consoles and interfaces supply it, often as a per-channel switch.
No. A multi-stage acoustic filter is built into the grille, which is why it works handheld without an external screen.
It is supercardioid, so the deepest rejection is at the sides rather than straight behind. Angle wedges away from the rear axis.
A microphone pouch and stand mount. There is no hard carrying case or cable in the box.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.