Detail 01
Cardioid pattern
Picks up mostly what is in front, rejects the rear. Keeps room reflections and monitor bleed out of the take.

Independent shopping perspective
Entry-level large-diaphragm cardioid condenser for home recording of vocals and acoustic instruments. Needs an interface with phantom power.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Picks up mostly what is in front, rejects the rear. Keeps room reflections and monitor bleed out of the take.
Detail 02
Will not pass signal from a plain XLR input. Your interface or mixer must have a phantom switch.
Detail 03
Handles loud sources without the capsule distorting, including snare, guitar cabs, and belted vocals up close.
Detail 04
Full range top to bottom. Low end reaches below any vocal fundamental, so proximity buildup is audible up close.
Detail 05
Suspends the mic in elastic, so desk thumps and floor vibration do not travel into the capsule.
Detail 06
Light enough for a basic boom arm, but the body diameter needs a full-size stand mount rather than a clip-on.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is an analog XLR condenser and needs an audio interface or mixer that supplies 48V phantom power and converts the signal to USB.
No. A standard XLR cable is not included. The shockmount, clip, and a case are.
It handles up to 130dB SPL, so a guitar cab or drum kit will not overload it at normal miking distances.
For close vocals, yes. Plosives hit large-diaphragm condensers hard, and no filter is included with the mic.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.