Detail 01
Cardioid pattern
Picks up what's in front and rejects the rear. Helps in untreated rooms, but you can't switch to omni or figure-8.

Independent shopping perspective
Two condenser mics in one box — a large-diaphragm 990 and a small-diaphragm 991. A starting point for a home recording setup.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Picks up what's in front and rejects the rear. Helps in untreated rooms, but you can't switch to omni or figure-8.
Detail 02
Your interface or mixer must supply it. Plugged into anything without phantom, these produce no signal at all.
Detail 03
A thin, light diaphragm reacts fast to transients — that's what gives condensers their detail versus a dynamic mic.
Detail 04
Full low end, with the top rolling off before 20kHz. Slightly softer air on cymbals and sibilants than a wider mic.
Detail 05
Handles loud sources — snare, guitar cab, brass — without the capsule distorting.
Detail 06
Audible hiss on very quiet sources like fingerpicking at low volume, especially with the preamp pushed hard.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
The 990 has a large diaphragm, typically used for vocals and room body. The 991 has a small diaphragm, better suited to acoustic detail, overheads and percussion.
Yes. Both are condensers requiring 48V phantom power and an XLR input. They won't work plugged into a computer directly.
They handle up to 137dB SPL, so yes. Placement matters more than the mic here — start with the small-diaphragm 991 on overheads.
No. Plan on buying XLR cables and stands separately, plus a pop filter if you're tracking vocals up close.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.