Detail 01
Passive, 800W continuous at 8 ohms
You supply the amplifier. Size it to the program rating — underpowering it clips drivers faster than a bigger amp would.

Independent shopping perspective
A 48-pound passive line array cabinet for flown systems. For production companies and installers who already have amplifiers, processing and rigging in place.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
You supply the amplifier. Size it to the program rating — underpowering it clips drivers faster than a bigger amp would.
Detail 02
Passive saves amp channels; bi-amp gives the high frequency its own channel and tighter control over the crossover.
Detail 03
Wide across the audience, very narrow vertically. One cabinet covers a shallow slice — the format assumes several stacked.
Detail 04
No usable low bass. Subs are mandatory for music; on its own it's a speech and vocal box.
Detail 05
Three drivers share the high-frequency load, so the top end holds together at levels that would strain a single driver.
Detail 06
Manageable for two people, and the second NL4 lets you loop through to the next cabinet in the array.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
You can, but 15 degrees of vertical coverage is a narrow slice. Arrays are normally built from three or more cabinets to cover audience depth.
Around 800W continuous into 8 ohms per cabinet in passive mode, plus DSP for the JBL tunings. Bi-amp mode needs one channel each for low and high frequency.
For music, yes. Response is down 3dB by 75Hz and gone below that, so kick, bass and low synths need dedicated subs.
No. It's passive, with Speakon connections only — amplification and processing live outside the cabinet.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.