Detail 01
16 mm diaphragm
Smaller than a true 1-inch capsule, so slightly less low-end weight and a tighter, more focused sound.

Independent shopping perspective
Side-address cardioid condenser at an entry price. For a first home-studio mic covering vocals, acoustic guitar and voiceover into an interface.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Smaller than a true 1-inch capsule, so slightly less low-end weight and a tighter, more focused sound.
Detail 02
Full range, with the top end that makes acoustic guitar and vocal consonants sound detailed compared to a dynamic.
Detail 03
Audible on very quiet sources like fingerstyle guitar if you push the gain hard. Fine at normal singing levels.
Detail 04
Can sit in front of a loud guitar cab or snare without distorting, even with no pad onboard.
Detail 05
Sing into the side with the logo, not the top. Rejects sound from behind, so face it away from your monitors.
Detail 06
Drives long cable runs cleanly into any standard mic preamp with no impedance matching to worry about.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is an XLR mic requiring 48V phantom power, so you need an audio interface or mixer with a phantom-powered preamp between the mic and the computer.
The front face with the model badge, not the end. It is a side-address mic, so it points at you sideways from a stand.
Yes, though as a condenser it captures more room sound than a broadcast dynamic. Treat the space or record close to keep the room out.
No. There are no switches on the body, so filtering and level trimming happen at your preamp or in software.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.