Korena
Product detailSKU #1274228063292

Summit AudioMPC-100A Tube Pre-Amp and Compressor/Limiter

Summit Audio
Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter
1/4

Independent shopping perspective

The Korena take

Single-channel tube preamp with compressor/limiter and a high-impedance instrument input. For tracking vocals, bass and guitar with analog dynamics control committed on the way in.

Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter product detail
Product studySummit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter
Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter alternate view
Alternate view

Strong match

Who this is for

  • Tracking vocals with compression printed to the recording
  • Bass or guitar plugged straight into the tube stage
  • Quiet ribbon and dynamic mics needing heavy gain

Consider the trade-offs

When to look elsewhere

  • Stereo sources — this is one channel
  • Anyone wanting EQ in the same box
  • Budget home setups; interfaces cost a fraction

What matters in use

The specifications, translated

Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Summit Audio MPC-100A Tube Pre-Amp and Compressor/Limiter construction detail

Detail 01

+75 dB gain with -140 dB equivalent input noise

Very quiet wide open, so low-output ribbons and dynamics come up loud without hiss riding along.

Detail 02

Mic, line and hi-Z inputs

Covers microphones, line sources and instruments plugged straight in, so no separate DI box is needed.

Detail 03

Attack from 180 microseconds to 100 milliseconds

Fast enough to catch vocal transients, or slow enough to let a bass note's attack through untouched.

Detail 04

Release from 32 milliseconds to 1.5 seconds

Short settings breathe and pump on drums and room mics; long settings stay invisible under a vocal.

Detail 05

Two 12AX7A tubes

The tube stage thickens as you push it, so gain staging becomes a tone decision rather than just a level.

Detail 06

+30 dBu max output, 150 ohm output impedance

Plenty of headroom and a low-impedance output that drives long cable runs into any converter.

Final check

Know before you order

  1. 01Two rack spaces, 10 inches deep, 17 pounds — allow cable clearance
  2. 02One channel; stereo pairs need two units and matched settings
  3. 03No EQ here — plan a separate equalizer if you shape while tracking

Product questions

Before you decide

Straight answers to the questions shoppers most often ask about this product.

01Can I plug a bass or guitar into it?

Yes. The hi-Z input is rated +8 dBu at minimum gain, so instruments go straight in without a separate DI box.

02Is it quiet enough for ribbon mics?

Equivalent input noise is -140 dB averaged from 20 Hz to 20 kHz, with up to +75 dB of gain available, so quiet ribbons come up clean.

03How many rack spaces does it take?

Two. The panel measures 19 by 3.5 inches, it runs 10 inches deep, and it weighs 17 pounds.

04Does it have EQ?

No. It's a preamp and compressor/limiter. Response runs 20 Hz to 20 kHz within 1 dB at 1 dB of compression, so tone shaping happens elsewhere.

Reference

Full specifications

The complete catalog record, organized around the decisions musicians make when comparing gear.

1 detailsSound
Frequency Response
20Hz-20kHz +/- 1dB with 1dB compression
3 detailsConnections & power
Equivalent Input Noise
-140dB average 20Hz- 20kHz
Output Impedance XLR
150 ohms
Max Output Level XLR
+30dBu
2 detailsSize & weight
Weight
17
Dimensions H X D X H
19 inch x 10 inch x 3.5 inch
10 detailsOther
Thd Noise
0.03% @ 1kHz +4dB out
Mic
+15dBu @ min gain, +35dBu with pad
Line
+35dBu @ min gain
Signal to Noise Ratio
130dB
Attack Times
180uS-100mS
Dynamic Range
100dB
Hi Z
+8dBu @ min gain
Release Times
32mS- 1.5S
Max Gain
+75dBu
Vacuum Tubes
12AX7A (two)