Detail 01
Adaptive tone processing
The pedal listens to your voice and mic and sets EQ, compression and gating itself. No knob-tweaking between songs.

Independent shopping perspective
Automatic vocal tone shaping — EQ, compression, de-essing and gate — in one stompbox. For singers who want a mixed-sounding vocal without a soundperson.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
The pedal listens to your voice and mic and sets EQ, compression and gating itself. No knob-tweaking between songs.
Detail 02
Sits between the mic and the snake, so it works with any board or powered speaker. No line-level adapter needed.
Detail 03
Enough gain range for quiet dynamic mics as well as hot condensers.
Detail 04
You can run a guitar through it too without loading down passive pickups.
Detail 05
Headroom for a loud belted note without clipping the box before the PA sees it.
Detail 06
Small enough for a corner of a pedalboard or a mic-stand tray. Easy to carry as a backup box.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Not much. It reads your mic and voice and applies tone, compression, de-essing and gating on its own. Set your mic gain and go.
Yes, as long as the mic gets phantom power. Confirm the pedal supplies it or feed the mic from a board that does.
No. This one only does tone and dynamics. Reverb has to come from your mixer or another pedal.
There's a separate 1 megohm guitar input, so a passive pickup won't be loaded down. The processing is voiced for vocals though.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.