Detail 01
XLR mic input and balanced XLR output
Sits between your mic and the board, and the balanced output tolerates long stage cable runs without noise.

Independent shopping perspective
A single-purpose vocal pedal that adds megaphone and distortion voices to a mic signal. For singers who want that effect live without a mixer routing.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Sits between your mic and the board, and the balanced output tolerates long stage cable runs without noise.
Detail 02
Wide enough for a quiet dynamic mic or a hot line-level feed, so gain staging is forgiving.
Detail 03
Low enough to drive a mixer mic input directly, the way the mic itself would.
Detail 04
Not a 9V pedalboard citizen. It needs its own wall outlet and its own supply.
Detail 05
Light enough to shift when you stomp it. Velcro it down or it walks across the stage.
Detail 06
Clean signal path when the effect is bypassed, so it can stay inline all night.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's built around an XLR mic input and mic-level signals. An instrument plugged in through an adapter won't be at the level this expects.
No. It runs on the included 12V 0.4A supply, not the standard 9V DC most pedalboard bricks provide.
Between the microphone and the mixer or PA channel. Mic cable into the pedal, second XLR from the pedal to the board.
No. This model covers megaphone and distortion voices only. Pitch and harmony are separate products in the line.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.