Detail 01
Three polar patterns
Cardioid, omnidirectional, and figure-8 can be selected for different miking techniques.

Independent shopping perspective
Sony's C-100 is an analog studio microphone built around a dual-element capsule combining condenser and electret condenser designs. Its 20 Hz–50 kHz response is paired with three selectable polar patterns—cardioid, omnidirectional, and figure-8—so a session can use different microphone approaches without changing microphones. A high-pass filter addresses unwanted low frequencies, while the 10 dB pad adds headroom for transient peaks. The XLR-equipped C-100 is positioned for high-resolution recording across vocal and other sound sources.


Strong match
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Cardioid, omnidirectional, and figure-8 can be selected for different miking techniques.
Detail 02
Cuts unwanted low frequencies.
Detail 03
Adds headroom to help avoid distortion from transient peaks.
Detail 04
The listed maximum sound-pressure level is 136 dB.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It switches among cardioid, omnidirectional, and figure-8 patterns.
The specified frequency response is 20 Hz to 50 kHz.
Yes. Its 10 dB pad adds headroom to avoid distortion from transient peaks.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.