Detail 01
20Hz–18kHz frequency response
Reaches well below the fundamental of a kick drum, so the low thump lands rather than getting rolled off.

Independent shopping perspective
Dedicated kick drum mic, voiced for the inside of a bass drum. For drummers and engineers miking kick live or in a studio.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Reaches well below the fundamental of a kick drum, so the low thump lands rather than getting rolled off.
Detail 02
Picks up mostly what's in front of it. Inside a kick, that means less snare and cymbal bleed.
Detail 03
Deliberately more sensitive down low than up top — the voicing itself favours kick fundamentals over attack.
Detail 04
Standard for a dynamic. Any normal mixer or interface preamp input will drive it correctly.
Detail 05
Short and squat, so it fits through a ported kick head and sits inside the drum without fouling the beater.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It's 5 inches long by about 2.3 inches across, so it passes through a standard ported bass drum head and sits inside the shell on a short stand.
No. It's a dynamic microphone. Connect XLR to any mic preamp; 48V is not required.
Yes. The low-frequency extension down to 20Hz and high SPL handling suit bass cabs and other loud low-end sources.
The frequency response and sensitivity are tilted toward low end — 0.6 mV/Pa at 60Hz versus 0.2 mV/Pa at 1kHz. It's tuned for kick, not versatility.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.