Detail 01
D tip opening
Selmer's medium-close opening. Easier to control and less tiring, but limits how much you can push volume.

Independent shopping perspective
The reference classical alto sax mouthpiece. For students and pros playing concert band, orchestra, or conservatory repertoire.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Selmer's medium-close opening. Easier to control and less tiring, but limits how much you can push volume.
Detail 02
The square-ish chamber is what makes the S80 dark and centered. It rounds off edge rather than adding it.
Detail 03
Sized for an alto neck cork only. It will not seat on a tenor, soprano, or bari.
Detail 04
Warmer and less bright than metal. Also more fragile — a drop can chip the tip or table.
Detail 05
Tight facing tolerances, so two of the same model play close to identical. Replacing one later is predictable.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The close tip opening generally calls for a harder reed, commonly 3 to 3.5. Softer reeds tend to close off and choke the sound.
No. This is the mouthpiece alone. You'll need a ligature and cap sized for an alto hard rubber mouthpiece.
It can play jazz, but it's built for a dark, centered classical sound. Jazz players usually want a more open tip and brighter chamber.
Tip opening. C* is closest, then D, then E. More open means more volume and flexibility but more resistance and embouchure work.