Detail 01
4 inches thick
Absorbs well into the low mids, not just highs. Thin foam only kills sizzle and leaves boxiness.

Independent shopping perspective
A pair of 4-inch fiberglass panels that fold around a mic to kill room reflections. For voiceover and vocal work in an untreated room.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Absorbs well into the low mids, not just highs. Thin foam only kills sizzle and leaves boxiness.
Detail 02
Denser than common 3 pcf panels, so it stays effective lower in frequency at the same thickness.
Detail 03
Tall enough to cover head height standing or seated, so early reflections hit absorption instead of drywall.
Detail 04
Fabric passes sound straight through to the fiber and keeps loose particles contained.
Detail 05
Rigid and heavy. This is a fixture you install once, not something you carry to sessions.
Detail 06
Holds its shape over years. It will not sag or crumble the way cut foam does.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It absorbs reflections inside the room so your voice sounds drier and closer. Blocking outside noise requires mass and sealed construction, which panels like this cannot provide.
It is not a full enclosure. The panels close around the mic and your head, treating the space directly in front of you rather than surrounding your whole body.
Four inches of 6 pcf fiber works far lower in frequency than one or two inches of foam, which mostly removes high end and leaves the muddy midrange untouched.
The frame is offered in black or beige melamine laminate. This one is the black version.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.