Detail 01
-45 dB/Pa sensitivity
Low output for a condenser. You'll run the preamp gain high, so a quiet mixer channel matters.

Independent shopping perspective
White condenser mic built for choirs and other distant sources. Picks up a group from overhead rather than a single voice up close.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Low output for a condenser. You'll run the preamp gain high, so a quiet mixer channel matters.
Detail 02
Rolls off below 50 Hz, which cuts HVAC rumble and stage thump instead of amplifying them.
Detail 03
It won't distort on loud sources, so a band or organ nearby won't overload it.
Detail 04
Standard low-Z output. Works with any balanced mic input and tolerates long XLR runs.
Detail 05
Disappears against white ceilings and walls. On a dark stage it will be visible.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, it's a condenser. Your mixer or preamp has to supply phantom power on that channel.
Close enough that you don't have to push the gain much. Its -45 dB/Pa sensitivity is low, so distance costs you level fast.
No. It's designed for fixed overhead placement on a distant ensemble, not close handheld work.
Yes. It's rated to 140 dB SPL, so loud organs, drums, or brass nearby won't overload the capsule.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.