Detail 01
Condenser element
Sensitive enough to pick up a group at a distance, but it needs 48V phantom power from your mixer or preamp.

Independent shopping perspective
A hanging condenser mic for choirs and ensembles, in black to disappear against a dark ceiling. For installed sound, not handheld use.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Sensitive enough to pick up a group at a distance, but it needs 48V phantom power from your mixer or preamp.
Detail 02
Covers the full vocal range with air on top; the 50Hz floor keeps out some low rumble from HVAC and foot traffic.
Detail 03
Fairly quiet output for a condenser, so you'll run the preamp gain higher than with a close-up vocal mic.
Detail 04
Handles loud sources without distorting — far more headroom than a choir will ever demand.
Detail 05
Standard low-impedance output, so it works with any normal XLR mic input and tolerates long cable runs.
Detail 06
Reads as a shadow against dark ceilings and truss, which matters when the mic hangs in view of a congregation.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It's a condenser, so it needs 48V phantom power from your mixer, preamp, or interface. It won't work on a phantom-less input.
That depends on the group's width and depth. Wide choirs are commonly covered by spacing multiple hanging mics across the front rather than relying on one.
It's built to hang above an ensemble, not to be held or put on a desk stand. For solo vocals, a handheld or standard studio condenser fits better.
Any distant condenser is more feedback-prone than a close mic. Keep it behind the main speakers and away from monitors, and ring out the room.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.