Detail 01
Monophonic
One note at a time. Play a chord and only a single pitch sounds. Poly-chaining multiple units is the way around it.

Independent shopping perspective
Analog monophonic bass synth in a desktop box. For producers who want real Moog low end and already have a MIDI keyboard or DAW.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
One note at a time. Play a chord and only a single pitch sounds. Poly-chaining multiple units is the way around it.
Detail 02
The circuit that shapes the tone. Sweeping the cutoff is the main sound-design move here, not preset browsing.
Detail 03
Sound is generated by circuits, not samples. Tuning drifts slightly with temperature; that instability is part of the character.
Detail 04
Detuning oscillator 2 up to twelve semitones gives fifths, octaves, or thick unison. Square is hollow, saw is buzzy.
Detail 05
It talks to modular and vintage analog gear both directions, so it can bridge a modular rack to a MIDI setup.
Detail 06
Run another instrument through the ladder filter and envelopes. The synth doubles as an analog filter box.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is monophonic, so it sounds one note at a time. Multiple units can be poly-chained if you need more voices.
No. It is a desktop module. Connect a MIDI controller by DIN or USB, or drive it from a DAW or CV sequencer.
Oscillators calibrate from 22 Hz to 6.8 kHz, so it reaches well above bass range. The filter and voicing are built around low end.
Yes. It takes pitch, filter, volume CV and a keyboard gate, and converts CV to MIDI, so it works in both directions.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.