Detail 01
30 ft length
Covers most stage-to-snake runs with slack. Long enough that you will want to coil and tie it between gigs.

Independent shopping perspective
A 30 ft XLR mic cable with Neutrik connectors, built for stage use. For anyone tired of replacing cables that fail at the plug.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Covers most stage-to-snake runs with slack. Long enough that you will want to coil and tie it between gigs.
Detail 02
Standard mic wiring. Plugs into any dynamic or condenser mic and passes phantom power to the mic.
Detail 03
The connector is where mic cables usually die. Neutrik housings and strain relief take repeated plugging and yanking.
Detail 04
Thicker jacket resists being stepped on and rolled over. It also coils less tightly than a thin studio cable.
Detail 05
Balanced wiring cancels hum picked up along the run, which is what makes 30 ft usable without noise.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. A standard balanced XLR cable passes 48V phantom from the preamp to a condenser mic. Nothing extra is needed.
No. Powered speakers with XLR line inputs are fine, but passive speakers need speaker cable, not mic cable.
Not audibly. Balanced mic cable runs far longer than this in normal use without noticeable loss or added noise.
The female end connects to the mic's male output. The male end goes into the console, snake, or interface input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.