Detail 01
20 feet
Covers mic to stage box, or a room mic back to a rack. Not enough to reach a mixer across the room.

Independent shopping perspective
A 20-foot XLR mic cable with Neutrik connectors, built heavier than average. For live use where cables get stepped on, coiled nightly, and tossed in a bag.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Covers mic to stage box, or a room mic back to a rack. Not enough to reach a mixer across the room.
Detail 02
Latching ends that hold when someone pulls the cable, and a common enough standard that shells are easy to replace.
Detail 03
Noise picked up along the length cancels at the input, so distance costs you far less than it would unbalanced.
Detail 04
The tradeoff is stiffness — it coils into a bigger loop and weighs more than a thin cable of the same length.
Detail 05
Disappears on a dark stage, which also means you will want colored tape to tell channels apart.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Phantom power runs over standard XLR wiring, so a condenser works normally as long as your mixer or interface supplies 48V.
Yes, if the speaker has an XLR input. A balanced XLR line run is the standard way to send signal from a mixer to powered tops.
No. Balanced mic runs of 20 feet lose nothing audible. Balanced wiring is specifically what makes longer runs practical.
Not directly. You would need an XLR-to-1/4-inch adapter, and whether that works depends on the input being balanced or unbalanced.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.