Detail 01
Passive design
No battery or phantom power needed. Fewer failure points on stage, but no gain and a lower input impedance than active boxes.

Independent shopping perspective
Passive DI box that converts an instrument-level unbalanced signal to balanced XLR for long cable runs into a mixer or snake. Utility gear for stage and studio.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
No battery or phantom power needed. Fewer failure points on stage, but no gain and a lower input impedance than active boxes.
Detail 02
Extra shielding around the transformer helps reject hum from lighting rigs and nearby power, which is where cheap DIs usually fall apart.
Detail 03
Built to be stepped on and thrown in a gig bag. Metal housing also acts as part of the shielding.
Detail 04
Heavy enough to stay put on a stage floor without a cable dragging it around.
Detail 05
Balanced signal runs 100+ feet without picking up noise. That's the whole reason to use a DI.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's passive, so it runs off the signal itself. Phantom power on the channel won't hurt it, but it isn't required.
Active basses have their own preamp and work fine into a passive DI. Fully passive pickups often sound fuller through an active DI because of the higher input impedance.
Yes, though a stereo keyboard needs two of these, one per side, or a two-channel box.
The balanced output and double shielding kill noise picked up along the cable run. Ground loops between amp and PA are a separate problem.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.