Detail 01
Passive
No power supply, no batteries, nothing to fail mid-show. Nothing to plug in and one less thing to troubleshoot.

Independent shopping perspective
A passive microphone splitter for sending one mic to two destinations — front of house plus a recording rig or second console — without added noise or ground loops.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
No power supply, no batteries, nothing to fail mid-show. Nothing to plug in and one less thing to troubleshoot.
Detail 02
The two consoles stay electrically separate, so a ground problem at one desk doesn't push hum into the other.
Detail 03
A stage-floor box that sits inline at the mic, rather than a rack unit that lives at the patch point.
Detail 04
Transformers block DC, so phantom reaches the mic from the direct output rather than the isolated feed.
Detail 05
Cost scales per channel, which is where rack-mount splitters start to make more sense for a full band.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
You can, but the two consoles then share a ground and load the mic together. That's where hum, level loss, and one desk's problem becoming the other's come from.
Not through the isolated leg — transformers block DC. Power the mic from the direct output side and run the isolated feed to the second console.
No. Passive means transformers do the work, so there's nothing to plug in and nothing to fail during a show.
One. Splitting a full band means one unit per channel, which is usually the point where a rack-mount splitter becomes cheaper.