Detail 01
Hipshot Bass Xtender bridge design
The supplied specifications list a Hipshot Bass Xtender bridge design.
Product detailSKU #1500000264556
FenderDuff McKagan Deluxe Precision Bass Guitar Black
1/8
Independent shopping perspective
The Korena take
A Duff McKagan Deluxe Precision Bass built around his ’80s Jazz Bass Special used while recording Appetite for Destruction, with player-focused features and styling he demands.
Strong match
Who this is for
- Players seeking Duff McKagan’s signature Fender model
- Right-handed players wanting a 34-inch, four-string solidbody bass
- Players who want passive Seymour Duncan pickups and a 3-way pickup switch
Consider the trade-offs
When to look elsewhere
- Left-handed players
- Players looking for an active pickup setup
- Players who need more than four strings
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
SS pickup configuration
The supplied specifications identify an SS configuration, a Seymour Duncan pickup brand, and a Precision Bass split-coil neck pickup.
Detail 03
Parallel series_or_parallel setting
The supplied specifications list the pickup wiring setting as parallel.
Final check
Know before you order
- 01This is a right-handed bass.
- 02The pickups are passive.
- 03A gig bag is included.
- 04The bass has a 1.625-inch (41.3 mm) synthetic-bone nut and 20 medium-jumbo frets.
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01Who is this bass associated with?
It is Duff McKagan’s Fender signature model and is based on the ’80s Jazz Bass Special he used while recording Appetite for Destruction.
02Is the pickup system active or passive?
Passive.
03What are the scale length and string count?
It has a 34-inch scale length and four strings.
04Does it include a case?
A gig bag is included.
Reference
Full specifications
The complete catalog record, organized around the decisions musicians make when comparing gear.
3 detailsPickups & controls
- Pickup Configuration
- SS
- Pickup switch
- 3-Way
- Active or passive pickups
- Passive
6 detailsPlayability
- Number of Frets
- 20
- Scale Length
- 34"
- Orientation
- Right handed
- Number of strings
- 4
- Number of frets
- 20
- Number of Strings
- 4
10 detailsBody & build
- Bridge Type
- Fixed
- Country of Origin
- Mexico
- Color Finish
- Gloss
- Nut material
- Synthetic bone
- Color
- Black
- Body Material
- Alder
- Body wood
- Alder
- Fingerboard Material
- Rosewood Radius: 9.5" Fret size: Medium jumbo Number of frets: 20 Inlays: Pearloid block Nut material: Synthetic bone Nut width: 1.625" (41.3 mm) Body Cutaway: Double cutaway Construction: Solidbody Body wood: Alder Body finish: Gloss Orientation: Right handed Controls Control layout: Separate volume Pickup switch: 3-Way Hardware Bridge type: Fixed Bridge design: Hipshot Bass Xtender Tuning machines: Open-geared Color: Black Other Number of strings: 4 Pickguard: Yes Special features: Electronics Case: Gig bag Country of origin: Mexico
- Body finish
- Gloss
- Neck joint
- Bolt-on
2 detailsSize & weight
- Nut width
- 1.625" (41.3 mm)
- Scale length
- 34"
30 detailsOther
- Pickup configuration
- SS
- Series or parallel
- Parallel
- Construction
- Solidbody
- Color
- Black
- Korena Special
- false
- Tuning machines
- Open-geared
- Orientation
- Right handed
- Brand
- Seymour Duncan
- Pickguard
- Yes
- Bridge
- STKJ2B single-coil
- Control layout
- Separate volume
- Radius
- 9.5"
- Shape
- Modern C
- Inlays
- Pearloid block
- Truss rod
- Standard
- Case
- Gig bag
- Special features
- Electronics
- Tier
- new
- Fret size
- Medium jumbo
- Neck
- Precision Bass split-coil
- Finish
- Gloss
- Category Source
- detail
- Wood
- Maple
- Bridge design
- Hipshot Bass Xtender
- Cutaway
- Double cutaway
- Material
- Rosewood
- Country of origin
- Mexico
- Bridge type
- Fixed
- Source Id
- site51500000264556
- Prop65
- WARNING: Cancer and Reproductive Harm www.P65Warnings.ca.gov.
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