Detail 01
Omni polar pattern
Picks up evenly in all directions, so it captures the piano's whole body rather than one narrow spot. It also picks up the room.

Independent shopping perspective
A two-mic piano system with a mounting bar, aimed at engineers and venues recording or reinforcing a grand piano without stands in the way.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Picks up evenly in all directions, so it captures the piano's whole body rather than one narrow spot. It also picks up the room.
Detail 02
Extends well past the audible band, which keeps transient detail on hammer attack rather than smearing it.
Detail 03
The mic will not distort on hard piano attacks at close range, so you can mount it inside the instrument.
Detail 04
Needs 48V from your console or interface. Battery-only field recorders without phantom will not run these.
Detail 05
The mics attach to a bar that sits in the piano, so no floor stands and no repositioning between sessions.
Detail 06
You supply two balanced XLR runs of whatever length your room needs.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
The system mounts on a bar designed to sit in a piano. Fit depends on your instrument's geometry, so confirm the mounting bar clears your upright's lid and frame before ordering.
Yes. It is a stereo pair of XLR mics, so you need two phantom-powered inputs to use the system as intended.
Yes, more than a cardioid would. Omnis do not reject off-axis sound, so on loud stages expect bleed and plan placement and gating accordingly.
The mics, the mounting bar, clips, and a case. Cables and a power supply are not part of the system.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.