Detail 01
Cardioid pattern
Rejects sound from behind, so wedge monitors placed off-axis behind you feed back less at stage volume.

Independent shopping perspective
Head-worn cardioid condenser on a rigid ear-to-ear frame, wired XLR. For presenters, worship leaders and performers who need hands free and consistent mic distance.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Rejects sound from behind, so wedge monitors placed off-axis behind you feed back less at stage volume.
Detail 02
Fixed close distance keeps level steady as you turn your head, and cuts plosives compared to a mic right at the lips.
Detail 03
Works off a standard console's 48V or a lower-voltage bodypack supply, so it fits both wired and wireless rigs.
Detail 04
Quiet enough for spoken word on a live console. Audible hiss only if you push heavy gain in a silent room.
Detail 05
Light enough to forget across a two-hour set; the weight sits on both ears rather than one clamped side.
Detail 06
Rolled off at the extremes, which keeps stage rumble and cymbal wash out of the vocal channel.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, with the right adapter. It runs on 18V to 48V phantom, which covers most bodypack supplies, but the XLR end must be converted to your transmitter's connector.
The cardioid pattern rejects rear sound and the fixed 3-inch spacing keeps gain low, which helps. Monitor placement still matters — keep wedges behind and off-axis.
It's a rigid ear-to-ear frame at 61 grams, so it braces on both ears rather than clipping to one. The boom holds its 3-inch position while you move.
This is the CM-311A at 4 mV/Pa (-48 dBV). The L version is roughly 10 dB quieter output and needs more preamp gain.
Reference
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