Detail 01
60Hz low-frequency limit
Rolls off below 60Hz. Fine on horns and snare; it will not capture kick drum or bass cabinet weight.

Independent shopping perspective
A miniature cardioid condenser on a gooseneck, built to clip onto a horn or a drum. For live pickup where a stand won't fit.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Rolls off below 60Hz. Fine on horns and snare; it will not capture kick drum or bass cabinet weight.
Detail 02
Handles a bell-close horn or a hard-hit snare, but it's tighter headroom than a padded studio condenser.
Detail 03
Rejects sound from behind. On a loud stage that keeps monitor wedges and neighboring instruments out of the channel.
Detail 04
The mic alone won't run off an XLR input. One of those powering units sits between mic and mixer.
Detail 05
Noticeable on quiet sources. Not an issue at close range on loud instruments, which is what it's built for.
Detail 06
Light enough not to drag on a clip, but the short cable means the powering unit must stay near the player.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, that's its intended use. The gooseneck positions the capsule at the bell while the player moves, and cardioid pickup keeps stage bleed down.
No. It needs the B29 L battery supply or the MPA V L adapter in line. That unit connects to your mixer via the 3-pin XLR.
Not well. Response starts at 60Hz, so the low-end thump a kick relies on is outside its range. It suits snare and toms better.
Up to 130dB SPL at 1% distortion, 132dB at 3%. That covers close-miked brass and drums, though a very hard-hit snare sits near the limit.
Reference
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