Detail 01
Cardioid pattern
Rejects sound from behind, so you get more gain before feedback with wedges at your back.

Independent shopping perspective
Headworn cardioid condenser for live speech and vocals. For presenters, worship leaders and stage performers who need hands free and a mic that stays put.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Rejects sound from behind, so you get more gain before feedback with wedges at your back.
Detail 02
Sits inches from your mouth without overloading, and survives loud stage levels.
Detail 03
Low end is rolled off, which cuts breath rumble and thumps rather than capturing them.
Detail 04
Fine on a loud stage. In a quiet room at high gain you will hear hiss.
Detail 05
Light enough to forget over a long set; less headband pressure than a heavier boom mic.
Detail 06
Moderate output. Preamp gain sits mid-range rather than maxed out.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Not directly. It needs the MPA V L adapter to run on external phantom, or a B 29 L battery supply. Into an AKG WMS bodypack it runs off the transmitter.
Five feet (1.5 m), which is sized to reach a belt-pack transmitter, not a stage box.
The cardioid pattern and close headworn placement give good gain before feedback. Keep wedges behind the wearer, not to the side.
It is built as a right handed unit, so the boom sits on that side. Check the fit before committing if you need the other side.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.