Detail 01
110-ohm characteristic impedance
This is data cable. DMX pulses keep their shape down the run instead of smearing into flicker and dropped channels.

Independent shopping perspective
A short turnaround that lets a 3-pin DMX output feed a 5-pin fixture input. Real 110-ohm data cable, not repurposed mic wire.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
This is data cable. DMX pulses keep their shape down the run instead of smearing into flicker and dropped channels.
Detail 02
Only pins 1–3 are wired, so the 5-pin end's pins 4 and 5 are dead. Almost nothing uses them anyway.
Detail 03
Two shield layers. Foil blocks RF from dimmers and wireless, braid handles the low-frequency hum and takes flexing.
Detail 04
Don't coil it tight or crank it around a truss corner. Crushing the pair changes impedance and starts costing you packets.
Detail 05
Survives outdoor winter load-ins and a spot high in a hot truss without the jacket going stiff or soft.
Detail 06
About mic-cable thickness. Coils normally, fits standard ties, and won't strain a panel connector hanging off a fixture.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
3-pin output to 5-pin input. The male 3-pin end goes into your console or fixture's 3-pin output, and the 5-pin female accepts a 5-pin fixture's input.
It usually works on short hops, but mic cable is not 110-ohm. On long chains or with many fixtures you get flicker, stuck channels and hunting for the fault.
No. There is one pair inside, so only pins 1, 2 and 3 are wired. Standard DMX512 ignores 4 and 5, so this is normal for a turnaround.
It is rated from -30°C to +75°C, so cold and hot truss positions are fine. Protect the connectors from rain and standing water.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.