Detail 01
3-pin XLR
The balanced mic standard. Noise picked up along the run cancels at the input, so hum stays low over distance.

Independent shopping perspective
A plain black 3-pin XLR, male to female — the standard microphone connection. Buy it as a spare or for fixed studio and rehearsal use.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The balanced mic standard. Noise picked up along the run cancels at the input, so hum stays low over distance.
Detail 02
Mic to mixer in one hop, and two of them plug end to end when you need a longer run.
Detail 03
The female end clicks onto the mic or panel and needs a thumb release, so a foot catching the cable is less likely to unplug it.
Detail 04
Disappears against a dark stage floor. Tape or heatshrink the ends if you need to tell cables apart in a coiled pile.
Detail 05
Spare-cable money. Sensible to buy several and rotate them out rather than trusting one cable on a session.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. 3-pin XLR male to female is the standard microphone connection, used from the mic to a mixer, interface or stage box.
Yes. Phantom power travels down the same three pins from your mixer or interface to the mic. Nothing on the cable needs switching.
It will physically connect to 3-pin DMX gear. DMX asks for 110-ohm data cable, so expect it to work on short hops and get flaky on long ones.
No. Guitars and amps use unbalanced 1/4-inch jacks. You would need a DI box or a different cable entirely.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.