Detail 01
16º baffle
The higher of the two A Series angles. Air is squeezed closer to the reed, giving brightness, edge, and more projection.
Product detailSKU #1302806632214
WarburtonA Series Metal Tenor Saxophone Mouthpiece, Silver-Plated 16º Baffle 8* Facing
1/4
Independent shopping perspective
The Korena take
Silver-plated metal tenor mouthpiece with a high 16º baffle and open 8* facing. Built to cut through a loud band.
Strong match
Who this is for
- Tenor players who need to be heard over drums and guitars
- Funk, R&B, and rock horn lines that sit on top
- Amplified stages where a dark piece disappears in the mix
Consider the trade-offs
When to look elsewhere
- Classical or section playing that needs blend, not edge
- Beginners — high baffle plus open tip is demanding
- Anyone chasing a warm, subtoned ballad sound
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
8* facing
An open tip. Combined with the high baffle, it rewards strong air support and softer reeds.
Detail 03
Metal body
Thin walls allow a larger chamber for the same tip opening. Faster articulation and more carrying power than hard rubber.
Detail 04
Silver plating
Takes a small amount of harshness off the high baffle compared to raw brass. Plating wears where teeth contact.
Detail 05
Tenor saxophone fit
Cut for tenor necks. Won't seat on alto, soprano, or baritone.
Final check
Know before you order
- 01You need a ligature sized for metal tenor mouthpieces — hard rubber ligatures won't clamp
- 02High baffle plus 8* tip usually means dropping reed strength
- 03Expect more back pressure than a low-baffle piece; it takes practice to control
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01Is the 16º too bright for jazz?
It's the brighter of the two A Series baffles, built to cut. For a rounder, more traditional jazz core, the 8º version is the better choice.
02Do I need a special ligature?
Yes, one made for metal tenor mouthpieces. Metal shanks are narrower than hard rubber, so a standard ligature won't tighten evenly.
03How open is an 8* facing?
It's on the open side. Most players use a softer reed than they would on a smaller tip and need steady air to keep it stable.
04Can I use this on a tenor with a thick neck cork?
Check first. Metal pieces have a narrower shank, so a cork sanded for hard rubber may be too thick and stop it from tuning.
Reference
Full specifications
The complete catalog record, organized around the decisions musicians make when comparing gear.
1 detailsBody & build
- Color
- Silver
