Detail 01
Cedar top
Warmer and quicker to respond than spruce under fingers, with less headroom when you dig in hard.

Independent shopping perspective
Taylor's Jason Mraz signature Grand Concert: cedar top, rosewood back and sides, cutaway, onboard electronics. A fingerstyle and vocal-accompaniment guitar.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Warmer and quicker to respond than spruce under fingers, with less headroom when you dig in hard.
Detail 02
Noticeably wide. Great for thumb-and-fingers playing, awkward if you wrap your thumb over for bass notes.
Detail 03
Small, focused, comfortable seated. Less low-end push than a dreadnought, easier to control when recording.
Detail 04
Adds low end and shimmer around the cedar's warmth, filling out a sound the small body would otherwise keep tight.
Detail 05
Plug in and go. Tune silently on stage and shape the signal at the guitar instead of the desk.
Detail 06
Standard Taylor tension and feel, but the cutaway access runs out sooner than on a longer fingerboard.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
That's what the wide nut, cedar top, and Grand Concert body are built around. It responds to light attack and keeps individual notes separate.
Yes. The undersaddle pickup, onboard EQ, and tuner let you run straight to a PA or amp and adjust tone at the guitar.
Smaller and more focused. Less low-end volume and strum push, but easier to sit with, easier to record, and less likely to swamp a vocal.
The 1-7/8" nut is wide by acoustic standards. It suits players who work between the strings; it can feel like a stretch if you fret with your thumb over the top.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.