Detail 01
Two SSL preamps; up to 64 dB gain range
The interface provides two mic preamps with the stated maximum gain range.

Independent shopping perspective
A recording front end for vocals, instruments, synths, and monitor-based sessions, this bundle pairs the SSL 2+ MKII USB interface with Slate Digital’s ML-1A large-diaphragm condenser microphone. Two SSL preamps offer up to 64 dB of gain, with 32-bit/192 kHz conversion, high-pass filters, and phantom power. Front-panel instrument inputs, four balanced rear TRS outputs, and two separately controlled headphone outs support straightforward tracking and monitoring. The ML-1A’s three-position pad reaches 145 dB SPL and includes the VMS plug-in with 36 microphone models.


Strong match
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The interface provides two mic preamps with the stated maximum gain range.
Detail 02
This is the interface’s listed converter resolution and maximum sample rate.
Detail 03
The rear panel offers four balanced TRS output connections for monitors and outboard gear.
Detail 04
Two listeners can control their headphone levels independently while using zero-latency monitoring.
Detail 05
The microphone’s pad switch is provided for recording sources up to its stated 145 dB SPL level.
Detail 06
The included plug-in provides access to 36 microphone models and controls for low-frequency response and mono-to-stereo widening.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It includes the SSL 2+ MKII USB audio interface, Slate Digital VMS ML-1A microphone, Virtual Microphone System plug-in, microphone shockmount, carrying case, and C-to-C and C-to-A USB cables.
Yes. The interface has two headphone outputs, each with its own volume control, and supports zero-latency monitoring.
The included Virtual Microphone System plug-in provides 36 modeled vintage microphones, plus low-frequency response adjustment and mono-to-stereo widening.
Its three-position pad allows recording sources up to 145 dB SPL, including the listed drums and loud amplifiers.