Detail 01
Two SuperAnalogue mono recording channels
Each provides a microphone preamp, independent line input, and switchable high-impedance instrument input.

Independent shopping perspective
SiX brings a compact SSL console workflow to a desktop mixer that can travel between studio, post-production, stage, and podcasting work. Two SuperAnalogue mono recording channels provide 66 dB of gain, phantom power, high-pass filtering, compression, EQ, inserts, and full-length faders. For mixdown, its mono, stereo, external, and alternate inputs can sum up to 12 channels into the main bus. Cue buses, monitor controls, Bus B routing, and the main-bus G-Series compressor make it a hands-on hub for tracking, monitoring, and mixing.


Strong match
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Each provides a microphone preamp, independent line input, and switchable high-impedance instrument input.
Detail 02
The mono recording channels offer a wide available gain range.
Detail 03
Mono, stereo, external, and alternate inputs can feed the main mix bus during mixdown.
Detail 04
Each cue bus has level and pan controls for individual artist foldback mixes.
Detail 05
The monitor section includes source selection, mono check, dim, and cut.
Detail 06
The signal path is fully balanced from front to back except at the headphone output.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Up to 12 channels can be summed to the main mix bus when using its mono, stereo, external, and alternate inputs.
Yes. Each mono channel has an independent line input that can switch to a high-impedance instrument input.
Yes. The main mix bus includes a two-knob G-Series Bus Compressor with fixed ratio, attack, and release settings.
Yes. Mute routes the signal to Bus B, which can feed the monitor matrix without feeding the main mix bus.